By Karla Ptacek & Helen Varley Jamieson
This article was first published on the trAce web site and won the Process Award in trAce and Writers for the Future’s New Media Article Writing Competition, Nov. 2004
Writing 4 Cyberformance
by Karla Ptacek & Helen Varley Jamieson
30/Nov/2004
<Karla> pick up an avatar hen
<hen> just doing that
<Karla> ah, synchroncity within CMC
<Karla> 'Computer Mediated Communication'
<hen> crappy mangled chat
<hen> crap miss-communication
<Karla> an innocuous acronym for what is usually a minefield
<Karla> of misunderstandings, misinterpretations
<hen> and tangents
<Karla> red herrings
<Karla> bogus disagreements
<hen> as if speaking a different language
<Karla> (len DOES speak a different language)
<Karla> insults, slights, insights,
<hen> each believing we're understanding each other
<Karla> bogged down in prolonged, surreal exchanges where meanings are mangled and time & the machine seem insurmountable
<hen> no body language or intonation to guide us
<hen> jokes misfire, irony lost
<Karla> Lol.
<Karla> that's our panacea: Lol. it means so much more then Laughed out Loud
<hen> yes indeed
<Karla> it's a crucial modifier. Softens the text.
<hen> yes, lol. it's key
<Karla> hang on, phone ringing
<hen> you know it's strange that we don't have more keys like that
<Karla> one minute Hen, talking on mobile
<hen> sure
<Karla> keep that thought
(pause)
<Karla> Helen?
(pause)
<hen> yes, emailing
<Karla> sometimes, you think you're having a conversation, explaining a great idea only to discover you're talking to yourself
<hen> yes
<Karla> the other person is disconnected, busy, afk
<Karla> This is the default condition of
<hen> not a problem,a fact of cyber-life
<Karla> collaborative online performance writing
<hen> absence and presence are closely entwined
<hen> e.g. len's superb absence the other day
<hen> during rehearsal, when she was present, but mentally absent
<hen> lol
<Karla> Yeah. we hung around 4 ages wondering where she was, till she finally says can we get started already.
<hen> Who knew she wus there?
<Karla> in a manner of speaking, she wasn't there.
<Karla> and Vi really really wasn't there
<hen> ?
<Karla> wilderness moment
<hen> ah
<Karla> But its more specifically problematic in cyberformance writing, because as a new genre of performance there's an emphasis
<hen> what is?
<Karla> on visuals, subtexts, theatricality and metaphors
<Karla> which reference a huge range of cultural sources and multiple languages of theatre, film, video, tv,
<hen> what is more specific?
<Karla> its even different from online story writing, because performance is metaphoric language PLUS
<hen> back up k
<hen> what is more specific to cyberformance writing?
<Karla> CMC
<hen> there are specific online problems, you mean?
<Karla> yeah, problems we encounter in communicating during process is exacerbated by the nature of performance writing in general and cyberformance genre especially
<hen> yes
<hen> and nature of any performance writing, collaboratively, is also problematic
<Karla> now add stage & screen directions
<hen> visuals avatars and video streams
<Karla> audio from stage and screen text to speech plug-ins
<hen> divergent plotlines
<Karla> and the requirements of the proximal performer
<hen> RL interruptions
<Karla> the needs of a proximal audience
<Karla> yep
<hen> hangovers, etc
<Karla> which is different from needs of online audience
<hen> dialup, late buses
<hen> not to mention unstable technology
<Karla> and you have an immensely complex stew
<hen> indeed
<hen> we are crazy, really
<Karla> it says a lot about how much we desire to communicate though
<Karla> sorry
<Karla> my browser just crashed
<hen> ah
<Karla> third time it did that today, dunno why
<Karla> did you get the animation link for the rough Prolog on DTN2? http://www.avatarbodycollision.org/dtn2/DTN2prolog.html
<hen> no time. Wot is it?
<Karla> simple Flash version of the Prolog I made to demo what it should look like, since Vi & len don't read the scripts.
<hen> shit- the ghost voices have just started 4 me
<Karla> Vi prefers visual versions of texts, which is interesting. We could write whole script in animations.
<hen> are you getting them?
<Karla> No. Wot are you hearing?
<hen> i hear your text fine
<hen> instead of speaking what i typed
<hen> it spoke something completely different
<hen> like it picked up an old piece of dialogue
<Karla> You know wot its like Helen?
<hen> wor?
<Karla> When the technology goes haywire like this
<Karla> Its like being in a deranged brain
<hen> it's a dangerous cocktail
<Karla> group brain as author. composed of words, images, movement, lag
<hen> not enough written about lag.
<hen> lol
<Karla> wot? we named a show after it
<hen> laggin with the lololos.
hello
<hen> hey douglas!
<hen> kiss kiss
douglas here
<hen> we have just finished rehearsal& are chatting about our processes
<Karla> (and now I drop the thread because douglas, our programmer, has arrived. Unexpectedly)
<hen> do you have sound at the moment, douglas?
<hen> i am experiencing what we call the ghost voice
i have a bad habit of upgrading my software everyday with whatever anyone wrote overnight
so sometimes sound and stuff stops working
<Karla> ah
<hen> at midnight nz time?
<Karla> (douglas is in NZ, Karla in London, Helen in Belgrade)
<hen> douglas do you mean the server is upgraded every night?
<Karla> (Its 11:13am London, and 12:13 in Belgrade and 10:13PM in NZ).
no, it's my computer
<Karla> Unlike most collaborative writing teams
i leave the server alone as much as possible
<hen> right, that was what i thought
<Karla> some members are asleep while others are awake
<hen> we've just been talking about our twisted process
<Karla> some at work while others socialising. (UpStage is built in twisted isnt it?)
I think the sound problem might have to do with caching
<Karla> and some are steeped in winter doldrums while other lucky buggers are on summer vacation
<Karla> we're in different places
<Karla> time zones
<Karla> states of mind
<Karla> might as well say it
<Karla> we're in different worlds
Avatar Body Collision (globally distributed performance troupe formed in 2001 by Karla Ptacek (London, UK), Leena Saarinen (Helsinki, Finland), Helen Varley Jamieson (Aotearoa, New Zealand), Vicki Smith (Aotearoa/New Zealand) https://www.creative-catalyst.com/abc/index.html
UpStage (open source software creating a web-based venue for cyberformance): www.upstage.org.nz